Film / Digital Cinema Equipments
ARRI Lenses / Master Macro



For those who want the ultimate in image quality for table top cinematography, product shots, close-up inserts on feature films or any other applications that require a macro lens, the Master Macro 100 delivers images of breathtaking beauty. 

Designed for the ANSI Super 35 image format, the Master Macro 100 can be used on any PL mount 35 mm film and single sensor digital camera. In addition it can be used on PL mount 16 mm film and single sensor 16 mm or 2/3” format digital cameras. 

With a 1:1 magnification ratio, a maximum aperture of T2.0 and an optical design developed specifically for macro work, the Master Macro delivers phenomenally sharp and contrasty images with vibrant colors for extreme close-ups of the highest visual quality.


Main Features


  • - Dedicated to Motion Picture Macro Work
    • 100 mm macro lens with 1:1 magnification ratio
    • novel optical design optimized for close-up work
    • specifically created for cine applications
    • Wide T-stop range: T2.0 (infinity)/T4.3 (close focus) to T32

  • - Master Prime Optical Quality
    • based on Master Prime technology
    • high resolution, high contrast
    • dramatically reduced flare
    • brilliant, vibrant colors
    • low geometric distortion
    • minimized chromatic aberration
    • Super Color Matched to Master Primes, Ultra Primes, Ultra 16 lenses, Lightweight Zoom LWZ-1

  • - Master Lens Ergonomics
    • long focal length allows greater distance to subject
    • expanded focus scale (1.4x revolutions) for greater accuracy
    • individually calibrated focus scale
    • simple and robust construction (no mechanical exposure compensation)
    • can be used with lens motors
    • focus and iris scales in standard Master Prime positions

  • - Lens Data System
    • LDS for display of T-stop compensation on WRC-2
    • optional electronic exposure compensation with lens motors




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